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“TENOR TRIUMPHS AS LENNIE IN FLOYD’S MEN”
“…tenor Ross Neill as the hulking Lennie - described by Floyd himself as a "dull-witted man-child" – stole
the show. This was no mean feat because, on the page, Lennie's character is somewhat opaque. But Neill, with his rich, pliant
tenor voice and huge physical presence, perfectly conveyed the child-within-a-man's body so integral to the essence of Lennie…Neill's
traversal of the role was a perfect blend of consummate vocal mastery and sheer stage presence… Her [Jackalyn Short,
as Curley's wife] unintended death at the hands of a panic-stricken Lennie is the beginning of the end in Floyd's highly moving
tragedy and was handled with extraordinary realism by Neill and Short.”
-- Robert Jordan, The Vancouver Courier, March 27, 2002
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“Ross Neill is a heartbreaking Don José, gradually transforming before our eyes from a proudly proper young soldier
to a crazed, despairing murderer. He…pushed through to an achingly poignant climax.” -- Michael Smith, Santa
Barbara News-Press, January 30, 2002
“Her Don José was tenor Ross Neill, another one to watch. Neill has the money notes, and is a terrific actor who takes
real chances dramatically.”
-- Paula Citron, CLASSICAL 96.3 FM, March 21, 2001
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